Su Teatro’s ‘Westside Oratorio’ tells the story of Auraria’s displaced residents through song 

The show was created by Anthony J. Garcia of Su Teatro and Daniel Valdez, of “Zoot Suit” and “La Bamba” fame.
4 min. read
Su Teatro artistic director Anthony Garcia sits in his theater on Santa Fe Drive. Dec. 16, 2025.
Kevin J. Beaty/Denverite

When Anthony "Tony" J. Garcia was growing up in Denver, he lived in the city's oldest neighborhood. 

Today, that neighborhood no longer exists. 

The community called it the "Westside." Now, the city's map reads "Auraria."

In the early to mid-1900s, the area was home to immigrants, farmers, and WWI veterans. Many of them were Latino.

A map of Denver from the late 1800s or easrly 1900s, showing Auraria, between the South Platte River and Cherry Creek, and Denver on the northeast bank of Cherry Creek.
Auraria, Denver’s oldest neighborhood, predates the city’s establishment.
Courtesy Denver Public Library

In those days, the streets were lined with mature trees and historic homes, some of which dated back to the 1870s. Children were often seen roller-skating or skipping rope with friends. Families lived on the same block. And on cold nights, pots of beans fogged kitchen windows.

This is where Su Teatro's holiday show "Westside Oratorio" is set.

"Westside Oratorio" was written by Su Teatro's Executive Artistic Director, Garcia, with music by Daniel Valdez, known for his Hollywood hits "Zoot Suit" (1981) and "La Bamba" (1987).

The musical, which concludes its run at Su Teatro this weekend, honors the community that was dissolved to make way for the Auraria Campus.

'There was the story that was being put forward that the houses were in bad shape and they needed to be torn down.'

The city first began talking about the Auraria project after the flood of 1965.

Officials were saying the homes needed to be condemned. Garcia, who grew up in Westside, said that was absolutely not true.

An aerial view of the June 17, 1965, flood that ravaged Denver. The view includes the railyards south of 14th Street.
George Meister/Western History & Genealogy Dept./Denver Public Library/X-11000168O

When murmurs of relocation started, he was 12 years old. He said, even then, he understood what was happening. His community lived on valuable real estate.

The residents of the Westside organized and fought the urban revitalization project. But they lost. They were each handed $15,000 for relocation assistance and told to leave. Hundreds of families and businesses were disbanded. And the Auraria Campus was underway.

Former Westside families and their descendants have since been offered reparations in the form of a Displaced Aurarian Scholarship through the University of Colorado Denver. 

A black-and-white photo in a newspaper, showing St. Cajetan Catholic Church standing alone amid rubble.
St. Cajetan Catholic Church stands alone amid rubble as Auraria is redeveloped.
The West Side Recorder, 1973.

But healing also includes remembering. Though a few historic buildings were preserved, much of the neighborhood's history has been erased.

That's where "Westside Oratorio" takes the stage.

The Greek tradition of the oratorio is "history through music."

"Westside Oratorio" is a musical production featuring five singers, seven musicians and a series of projected sets comprised largely of historical photographs.

The story spans 300 years of Denver history, from when Native Americans lived on the land through the 1970s.

There's a stage, draped in multi-colored Christmas lights with snowflakes and christmas trees projected in the background. Center stage in the spotlight is a young woman at the mic. Also on stage are a chorus of six and about five musicians.
Su Teatro's "Westside Oratorio," a show paying homage to the land, people, and history of Denver's historic Westside neighborhood.
Courtesy Su Teatro

The structure of the show is based on the Native American principle of Seven Generations. The principle states that we are the beneficiaries of decisions made by the previous seven generations, and our actions today must account for the seven generations to come.

Garcia and Valdez hope "Westside Oratorio" becomes a part of their lasting impact.

"This is the play that started in the ‘70s, and now we're in our 70s," Garcia said.

A group of Chicano students perform in front of a black-and-white United Farm Workers flag.
A Su Teatro performance at Sloan’s Lake, early 1970s.
Courtsey Su Teatro

They've staged the production four times in the last 21 years, and soon hope to document it so they can pass it on to future generations.

It's timeless, but also timely.

"It's a story about belonging — who belongs and who has a right to be here — which is one of the most profound and painful conversations taking place in this country right now," Garcia said. "It's very, very important that we put a historical marker on the fact that Latinos were in Colorado a very long time."

Seven generations from now, Garcia and Valdez want people to remember how their community contributed to the city's history and culture.

"The greatest gift that we can offer to the next generation is memory," Garcia said.

“Westside Oratorio” concludes its run at Su Teatro on Sunday, Dec. 21. Tickets cost $20, or $17 for students and seniors.


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